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Bartók forever

Allons enfants...

Bartók forever

0:56	Est. Play Time
29	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	14	0	2	6	72%
	14	0	2	6	72%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	14	0	2	6	72%
	14	0	2	6	72%
	11	0	2	8	100%
	11	0	2	8	100%
Pipe Organ	18	0	6	9	93%
Panflöte	17	37	5	10	90%

Once upon a time

Bartók forever

2:05	Est. Play Time
56	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	14	1	3	4	54%
Tuba	19	0	8	5	54%
View all 8 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	14	1	3	4	54%
Tuba	19	0	8	5	54%
Flügelhorn	14	0	2	4	48%
	7	0	1	4	15%
Flöte	18	0	7	4	44%
Horn in F	19	0	7	5	41%
Klarinette in B	10	0	4	5	28%
Pauke	3	0	0	3	19%

La Battaglia

Bartók forever

2:31	Est. Play Time
114	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pieno	14	0	1	6	100%
	17	0	2	5	100%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Pieno	14	1	6	100%
	17	2	5	100%
Ottava e flauto	12	1	5	56%
	14	2	5	56%
Ottava, Flauto e Principale	6	0	5	11%
	5	0	5	11%
Vuoto	5	0	2	7%
	3	0	1	7%

In Russian Style

Bartók forever

0:35	Est. Play Time
26	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
(Bass-)Posaune	12	0	5	4	65%
Horn in F	9	0	3	4	65%
View all 8 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
(Bass-)Posaune	12	5	4	65%
Horn in F	9	3	4	65%
Klarinette in B	9	3	5	65%
Flöte	7	1	4	62%
Trompete in B	10	1	3	50%
Tuba	8	2	4	50%
Oboe	9	3	3	46%
Piccoloflöte	6	0	2	15%

Cantio Belgica SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98%
Orgel	18	0	5	7	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98%
Orgel	18	5	7	97%
	14	1	7	93%
Fagott	9	1	6	94%
Violoncello	11	1	6	76%
Klarinette in B	12	3	7	61%

Der Gutzgauch auf dem Zaune saß

Bartók forever

0:30	Est. Play Time
15	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Sopran	2	0	0	3	80%
	2	0	0	3	73%
View all 6 Parts

	Unique Notes	Rhythmic Complexity	Percent Played
Sopran	2	3	80%
	2	3	73%
	6	4	100%
Alt	7	5	100%
Bass	6	3	100%
Tenor	6	6	100%

ARIA: So oft ich meine Tobackspfeife BWV 515/515a

Bartók forever

1:53	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

Chromatic Invention (2)

Bartók forever

0:01	Est. Play Time
33	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Posaune	8	0	4	3	94%
Trompete in B	8	0	3	2	91%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Posaune	8	4	3	94%
Trompete in B	8	3	2	91%
Piccoloflöte	10	4	1	64%
Tuba	10	4	1	55%

Gedenke doch, mein Geist, zurücke (Aria) BWV 509

Bartók forever

0:51	Est. Play Time
21	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	8	3	4	100%
	18	0	4	2	100%
Sopran	16	0	5	4	71%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	8	3	4	100%
	18	0	4	2	100%
Sopran	16	0	5	4	71%

Wandrers Nachtlied II D 768 (1822)

Bartók forever

1:52	Est. Play Time
14	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	7	5	0	5	63%
	20	18	5	5	100%
Voice	9	0	1	6	79%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	7	5	0	5	63%
	20	18	5	5	100%
Voice	9	0	1	6	79%

Mir nach spricht Christus unser Heldt

Bartók forever

2:06	Est. Play Time
23	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	19	0	3	6	97%
	15	0	1	7	90%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Orgel	19	3	6	97%
	15	1	7	90%
	18	5	6	97%
Stimme	8	0	6	66%

O Maria sei gegrüßt

Bartók forever

0:49	Est. Play Time
20	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	14	2	3	100%
Orgel	14	2	4	57%
	17	4	4	57%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	14	2	3	100%
Orgel	14	2	4	57%
	17	4	4	57%

BWV 515/515a So oft ich meine Tobacks-Pfeife

Bartók forever

2:27	Est. Play Time
35	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo	16	5	3	6	100%
	22	0	7	4	100%
Oboe	9	0	1	6	50%

"Im Walde" from "Liederkreis", op. 39, 1840

Bartók forever

1:28	Est. Play Time
50	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	34	7	4	100%
	17	12	3	4	100%
Voice	12	0	3	6	73%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	25	34	7	4	100%
	17	12	3	4	100%
Voice	12	0	3	6	73%

Cantio Belgica (Wehe Windgen wehe) SSWV 108 (shortened)

Bartók forever

2:18	Est. Play Time
51	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	0	4	6	98%
Orgel	18	0	5	7	97%
View all 6 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Oboe	16	4	6	98%
Orgel	18	5	7	97%
	14	1	7	93%
Fagott	9	1	6	94%
Violoncello	11	1	6	76%
Klarinette in B	12	3	7	61%